tag:blogger.com,1999:blog-31058461.post116701017784785602..comments2024-01-26T00:54:19.338+08:00Comments on Lessons From the School of Inattention: How Wan-Fô Was Saved (1987)Oggs Cruzhttp://www.blogger.com/profile/03041599863258946384noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-31058461.post-28685690172557009372011-08-26T09:47:18.201+08:002011-08-26T09:47:18.201+08:00(The latter as the title character, I think, that ...(The latter as the title character, I think, that is. The former's tone may get what feels inappropriately kiddy within the context of the tastefulness of the visual design but the working with the need for a player whose skills in something else are more requisite than theirs in acting is notable.)J.R.D.S.https://www.blogger.com/profile/07449581460363034306noreply@blogger.comtag:blogger.com,1999:blog-31058461.post-80353130919073286592011-08-26T09:27:19.832+08:002011-08-26T09:27:19.832+08:00As a long time appreciator of this review, which r...As a long time appreciator of this review, which reviews something and aspects of it that so rarely get reviewed and demonstrates such value in doing so, a couple a YouTube discoveries which may be of interest:<br />Michel Ocelot's <i><a href="http://www.youtube.com/watch?v=SGngA5pxigE&fmt=35" rel="nofollow">Les Filles de l'égalité</a></i> (if only historical) and <a href="http://www.youtube.com/watch?v=0IaMjTwpNPY&fmt=35" rel="nofollow">some videoing of</a> a stage adaptation of Yourcenar's <i>Wang-Fô</i>, for an actor and a live painter.J.R.D.S.https://www.blogger.com/profile/07449581460363034306noreply@blogger.com