tag:blogger.com,1999:blog-31058461.post340815957202936580..comments2024-01-26T00:54:19.338+08:00Comments on Lessons From the School of Inattention: Jalsaghar (1958)Oggs Cruzhttp://www.blogger.com/profile/03041599863258946384noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-31058461.post-90332613865386793832009-05-06T15:30:00.000+08:002009-05-06T15:30:00.000+08:00Hi,
I have been forwarded to your site thanks to J...Hi,<br />I have been forwarded to your site thanks to Jalsaghar: I appreciated your way of looking at the opposition between Roy and Ganguli in terms of technological development, but I wonder if you'd agree with me that their competition is also more spiritual, and expresses itself also in terms of life-forces?<br />cheers, yvesyveshttp://www.letstalkaboutbollywood.com/article-31006262.htmlnoreply@blogger.comtag:blogger.com,1999:blog-31058461.post-51156784045642254382007-07-21T03:37:00.000+08:002007-07-21T03:37:00.000+08:00Thanks,Your site is great. I must admit that I'm n...Thanks,<BR/><BR/>Your site is great. I must admit that I'm not very well-acquainted with Tamil cinema, but thanks to your site, I can start learning.Oggs Cruzhttps://www.blogger.com/profile/03041599863258946384noreply@blogger.comtag:blogger.com,1999:blog-31058461.post-19824618802020270662007-07-20T22:33:00.000+08:002007-07-20T22:33:00.000+08:00Ray succeeds well in Jalsaghar not because of the ...Ray succeeds well in Jalsaghar not because of the centrality of the music room, but also because of the die-hard benefactor of the music room,Huzur Biswambhar Roy. He is as much a protogonist of the fading glory of the feudal times as the music room and the performers and rasikas of the jalsas. <BR/><BR/>Thanks for the good post.When time permits visit my blog on Tamil cinema at www.subalterncinema.com/ravigopalanravindranhttps://www.blogger.com/profile/03974962340223550783noreply@blogger.com